HALLOWEEN 5: THE REVENGE OF MICHAEL MYERS (aka HALLOWEEN 5) (18)
D: Dominique Othenin-Girard
Galaxy/Magnum/Trancas (Ramsey Thomas)
W: Dominique Othenin-Girard, Michael Jacobs & Shem Bitterman [based on characters created by John Carpenter & Debra Hill]
DP: Robert Draper
Ed: Charles Tetoni & Jerry Brady
Mus: Alan Howarth
Donald Pleasance (Dr. Loomis), Danielle Harris (Jamie Lloyd), Ellie Cornell (Rachel Carruthers), Beau Starr (Sheriff Ben Meeker), Wendy Kaplan (Tina Williams), Don Shanks (Michael Myers)
More of the same, with masked serial killer Michael Myers returning to Haddonfield once again for a killing spree, with the added incentive of murdering his niece, Jamie (introduced in Halloween 4).
Incidentally, the ending of Halloween 4 is retconned for this fifth sequel for the narrative to make sense, but it's still lazy writing, built around the usual tropes, cliches and jump scare rubbish.
Quite possibly the worst of all the Halloween movies, released just a year after the previous sequel, it's quite apparent that this was just a rushed cash-grab.
HALLOWEEN: THE CURSE OF MICHAEL MYERS (aka HALLOWEEN 6) (18)
D: Joe Chappelle
Dimension/Miramax/Trancas/Nightfall (Paul Freeman)
W: Daniel Farrands
DP: Billy Dickson
Ed: Randolph Bricker
Mus: Alan Haworth
Donald Pleasance (Dr. Sam Loomis), Paul Rudd (Tommy Doyle), Marianne Hagan (Kara Strode), Mitchell Ryan (Dr. Terence Wynn), Devin Gardner (Danny Strode), George P. Wilbur (Michael Myers)
The sixth Halloween film and the first to try and provide some explanation for masked murderer Michael Myers seemingly being invincible, which it does so by introducing a cult who worship the psychopath like a religious figure. If you can swallow that, you might think this is a worthwhile horror movie, but I certainly didn't. The series really had run out of steam by this point, recycling the same jump scare scenes with different cast members, the only real mainstay of the performers being Donald Pleasance, who is looking really tired by this point (he died shortly after the film's release). The film also provided an early role for Paul Rudd, but there isn't much he can do with a bizarrely written character.
Tonally, the film is an utter mess, with some strange editing choices and directorial decisions. Apparently, this was due to poor reception from test audiences, but if this is the edit after the initial cut, I'd hate to see how it originally looked.